逆水寒

二 |     With Parasakthi inching closer to release, composer actor GV Prakash has offered a key update that shifts the spotlight squarely onto Sivakarthikeyan. The actor has lent his voice to Tharakku Tharakku, the fourth single from the film, a track GV Prakash describes as a rebel anthem. The announcement, shared with a photograph featuring Sivakarthikeyan and director Sudha Kongara, has quickly become one of the most talked about developments surrounding the project.While Sivakarthikeyan has sung in films before, his decision to voice a song in Parasakthi feels particularly deliberate given the film’s political and historical setting. Rather than functioning as a novelty, Tharakku Tharakku appears positioned as an extension of his character’s inner voice, one that aligns performance, ideology, and music.When the lead becomes the voiceParasakthi is set in the nineteen sixties and draws from the Anti-Hindi agitations that swept Tamil Nadu in 1965. Within this context, Sivakarthikeyan singing a rebel anthem adds narrative weight to the soundtrack. It suggests a song that is meant to belong to the character rather than sit outside the story as a standalone musical moment.GV Prakash has already shaped a varied musical landscape for the film. The earlier singles Adi Alaye, Ratnamala, and Namakkana Kaalam explored romance, emotion, and collective aspiration. Tharakku Tharakku, however, seems designed to cut sharper, both musically and thematically. Described as a rebel anthem, the track is expected to channel resistance, urgency, and defiance, qualities that mirror the political climate the film revisits.          #SK sings for #parasakthi the rebel song #tharakkutharakku @Siva_Kartikeyan @Sudha_Kongara @DawnPicturesOff pic.twitter.com/1TZ6Yp7Ooa     — G.V.Prakash Kumar (@gvprakash) December 15, 2025               Sivakarthikeyan’s vocal presence also reinforces his evolving image as an actor who increasingly gravitates toward roles rooted in social consciousness. Singing the song himself blurs the line between performer and protagonist, allowing the music to function as a direct emotional conduit rather than a decorative addition.A politically charged ensemble dramaDirected by Sudha Kongara, Parasakthi marks her fourth feature after Drohi, Irudhi Suttru, and Soorarai Pottru. Known for her ability to blend strong character arcs with larger socio-political themes, Sudha appears to be using music as an integral storytelling tool rather than a pause in the narrative. She has co-written the film with Arjun Nadesan, with additional screenplay by Ganeshaa and dialogues by Madhan Karky and Shan Karuppusamy.The film is headlined by Sivakarthikeyan and features Ravi Mohan in what is said to be the first antagonist role of his career. Atharvaa plays a key part, while Sreeleela makes her Tamil cinema debut as the female lead. There has also been speculation about Rana Daggubati’s involvement, though the makers are yet to confirm his casting. Details about the characters remain under wraps, adding to the sense of anticipation.          The technical team includes Ravi K Chandran as cinematographer, Sathish Surya as editor, S Annadurai as art director, and Supreme Sundar as action choreographer. Produced by Aakash Baskaran under the Dawn Pictures banner, the film has Dev Ramnath as creative producer, with MP Senthel and Rhea Kongara serving as executive producers. Red Giant Movies is handling distribution.With postproduction in full swing and a theatrical release locked for January 14, 2026, Parasakthi is shaping up as one of the most ambitious Tamil films on the horizon. As anticipation grows, Tharakku Tharakku stands out not just as another single, but as a moment where Sivakarthikeyan’s voice becomes central to the film’s political and emotional core.Also Read: AR Murugadoss Spills Details About Sivakarthikeyan’s Madharasi。不过据台湾《联合报》12日报道，台湾中学8月30日开学，有多所初中至今没收到台“教育部”发行的客语（客家语）纸本教材。

三 | 报道称，由于民间出版社客语教科书直到开学都未通过台“教育部”审定，导致学校今年只能选择使用“部编”教材，因学生选修人数变化大，“部编”版纸本教材统计、印刷不及，初中至今仍只能使用影印版教材，高中则是在中秋节前陆续收到客语课本，不少教务人员对这种情况表示“罕见”。《联合报》说开学第三周了，台湾多所初高中开设客语必修，至今仍没纸质课本可用。一位不具名客语四县腔（四县腔分布于台湾中北部和南部，主要的代表区域有桃园市、苗栗县，高雄市、屏东县六堆地区）教务人员向《联合报》表示，今年到某初中教七年级共四个班，开学已一周多，学生却还没有课本，老师也没有。她经过询问得知，新北市、桃园市都有类似情况，大家都是先上网下载使用，又或是自己找档案印成纸本“应急”。报道称，台北市某初中也开设客语四县腔必修课，学校至今还没收到纸本课本。该校教务主任透露，闽南语除了“部编”版，还有多家民间厂商可选择，但客语的出版市场是“小众”，仅有“部编”，以及一民间出版社出版客语教材，但该民间出版社的客语教材直到开学仍未通过台“教育部”审定，导致学校只能在开学前紧急选择“部编”教材。

四 | 他推测，由于今年是“本土语课”第一年上路，教材量难抓，尽管7月底已向“教育部”申请教材，目前也还没收到。对于这一消息，有岛内网友表示，“教育已被政客搞得大乱，台湾未来还有什么希望与竞争力？” ↓ 有人质疑，“连最基础的硬件都没准备好，到底在强推什么。

五 | ”“配套方案都没齐就急着硬推，把师生都当白老鼠。” ↓ 有人讽刺，“这不是很正常吗？超前部署都是这样。” ↓ 而对于所谓“本土语课”，有网友认为，“方言这东西会听跟说就好，何必浪费人力跟大笔金钱去搞书本教学？”“教土本语言…真的很浪费师资。

六 | ” ↓ 对于民进党当局强制中小学从今年8月起必修课程增加所谓“本土语课”， 有台湾教师表示，民进党当局所谓“本土语政策”就是要斩断中华文化和语言的根脉。对此，国台办发言人马晓光曾表示，民进党当局的这种举动实际上是害台湾，害了台湾的年轻一代，让他们丧失发展机会。马晓光称，哪来的所谓“台语”，都是从闽南客家来的，也是中华语言的一部分，是中华文化的一部分。民进党当局蓄意将台湾民众使用的闽南、客家方言、少数民族语言、普通话划分为“本土”和“外来”，包藏着他们处心积虑“去中国化”的祸心。企图利用语言作为工具，改变深植于台湾社会的中华文化认同、中华民族认同，是不可能得逞的。从他们热衷追大陆剧、用大陆应用软件，就能看出他们是一帮“口嫌体直”的假道学、伪道学。返回搜狐，查看更多责任编辑：